![]() ![]() Works by members of the Munich Secession are also on display. 1860), Eduard Schleich, Carl Theodor von Piloty, Franz von Stuck ( Salome 1906), Franz von Lenbach ( Self Portrait with His Wife and Daughters 1903), Friedrich August von Kaulbach, Wilhelm Leibl ( Veterinarian Reindl in the Arbor c. Starting with late Gothic paintings, the gallery displays masterpieces by Munich artists such as Jan Polack, Christoph Schwarz, Georges Desmarees ( Countess Holstein 1754), Wilhelm von Kobell, Georg von Dillis, Carl Rottmann ( Cosmic stormlandscape 1849), Carl Spitzweg ( Childhood Friends, c. The Städtische Galerie im Lenbachhaus contains a variety of works by Munich painters and contemporary artists, in styles such as the Blue Rider and New Objectivity. The new facade, clad in metal tubes made of an alloy of copper and aluminum, will weather with time. The architect placed the new main entrance on Museumsplatz in front of the Propylaea. The latest wing was closed to the public in 2009 to allow the expansion and restoration of the Lenbachhaus by Norman Foster the 1972 extension was demolished to make way for the new building. The city of Munich acquired the building in 1924 and opened a museum there in 1929. Some of the rooms have kept their original design. The Lenbachhaus was built as a Florentine-style villa for the painter Franz von Lenbach between 18 by Gabriel von Seidl and was expanded 1927–1929 by Hans Grässel and again 1969–1972 by Heinrich Volbehr and Rudolf Thönnessen. The building New modern wing of the Lenbachhaus The Lenbachhaus ( German: ) is a building housing the Städtische Galerie (English: Municipal Gallery) art museum in Munich's Kunstareal. Inspired by trips to Paris, where she came face to face with the color palette and expressive brushwork of the French avant-garde (Cézanne, Gauguin, Van Gogh), she started incorporating more color into her work. In her short life (she died at the age of 31) she painted over 700 paintings and made over 1000 drawings. She is considered one of the most important representatives of early Expressionism and is known as the first female painter to paint nude self-portraits. Der Blaue Reiter did not last very long and dissolved at the start of WWI in 1914 since Franz Marc was killed in combat and Wassily Kandinsky was forced to move back to Russia.Īnother important German Expressionist painter was Paula Modersohn-Becker (1876-1907). Other artists associated with the movement were Paul Klee, Gabriele Münter, Alexej von Jawlensky, Marianne von Werefkin, and August Macke. Kandinsky and Marc also shared a love of the color blue, which they considered a spiritual color. Der Blaue Reiter derives its name from the recurring theme of a rider on horseback, which appeared in Kandinsky’s painting at the time. They also attempted to break down the boundaries between what people considered high art, children’s art, folk art, and ethnography. In 1911, Wassily Kandinsky and Franz Marc formed Der Blaue Reiter, with an aim to transcend the mundane by pursuing the spiritual value of art. They chose their name inspired by a passage in Nietzsche’s Thus Spoke Zarathustra, wanted to convey their wish to bridge the past and the present. The founding members were Ernst Ludwig Kirchner, Fritz Bleyl, Erich Heckel and Karl Schmidt-Rottluff. Die Brücke was a collective of artists formed in Dresden in 1905, who were opposed to the bourgeois social order of Germany. Two main groups of artists formed the core of German Expressionism: the artists who formed Die Brücke and Der Blaue Reiter. Key characteristics: emotion, free sexuality, heightened use of color, spirituality Key artists: Paula Modersohn-Becker, Ernst Ludwig Kirchner, Franz Marc, Wassily Kandinsky, Emil Nolde, Fritz Bleyl, Erich Heckel, Karl Schmidt-Rottluff, Paul Klee, Gabriele Münter, Alexej von Jawlensky, Marianne von Werefkin and August Macke. Keywords: self, psyche, body, sexuality, nature, spirit, emotions, mysticism, distortion of reality, exaggeration, heightened use of color German Expressionism was divided into two main groups of artists: Die Brücke (the bridge), led by Ernst Ludwig Kirchner, and Der Blue Reiter (The Blue Rider), led by Franz Marc and Wassily Kandinsky. Germany, along with France, Austria, and Norway, was an important center of the development of Expressionism. The artists’ aim was to express their emotional experiences, instead of focusing on portraying physical reality. At the start of the twentieth century, Expressionism emerged as an international tendency and art movement, spanning art, literature, music, theatre, film, and architecture. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |